Text by Rick Ouellette
Band photos by Joshua Pickering
Kingdom of Love are a great example of the current collaborative nature of the Boston-area rock scene, which I’ve been following to various degrees since the gloriously grungy late 70s heyday of the Rat club in Kenmore Square. KOL is the duo of singer-songwriter-guitarists Linda Viens and Richard Lamphear. On their luminous 5-song EP called Ghosts they use a few guest players (mainly on bass and drums) to supplement their sound. But for their late June record release party at the Lizard Lounge in Cambridge, Kingdom of Love became like a glam-rock juggernaut with as many as eight players at a time. This goes a long way to demonstrating the supportive and intermingling nature of the current indie community in town, which is chock full of friends and acquaintances who came up in the vibrant 80s post-punk scene. But more on that later, what about the CD?
Linda Viens (right) and Sandra Marcelino
Ghosts begins in quiet-time mode with “Play it On”and a reflective piano motif and Vien’s airy vocal expressing a wide-view reverie on a life where “the song’s never finished.” Even after the drums kick in the song gives the impression of floating over a lush landscape. Through the four remaining tracks the same balm to the senses prevails even when they’re pumping up the dance beats, such a welcome vibe in these unsettling times. “Two Souls” has a bouncy New Wave-style keyboard hook and a sharp and sensuous lyric about two searching lakeside lovers and would be a big summertime hit in a more just world. The next two songs are finely-crafted duets between Viens and Lamphear. The first, “When You Follow,” is notable for its love-in-the-ruins lyric and Scott Getchell’s haunting trumpet, while “Starmates” is a vaporous outer-space romance.
The electro dance-rock groove returns for “Karma Song, which, along with “Two Souls, ” is the pick-to-click of this CD. “I was a superhero buried underground,” declares the song’s narrator, “I was that grown-up kid afraid to make a sound/Live in fear too long and there is no one else on whom to lay the blame.” The struggle for self-actualization has rarely sounded so rapturous. It will hard not to get swept up in this tune by the time Linda gets to the buoyant chorus (“I want to give, give again and earn my karma”) for the second time and Richard lets it rip on lead guitar.
Those positive reverberations were even more evident at the record-release show where the enthusiastic crowd was all in as soon as Viens stepped up to the center mike in an all-silver suit. Viens fronted a large funk orchestra called the Crown Electric Company in the late 90s so this expanded set-up is not an unknown quantity for her. The talented ensemble seen below is a good example of the Boston scene’s current mix-and-match flexibility where many musicians take time from their current bands to get involved in other projects.
The super-sized Kingdom of Love. from l to r: Sue Minichiello, Ben Aiken (keys), Sandra Marcelino, Gabe Rossi, Johnny Berosh (drums), Linda Viens, Zachary Rochester and Richard Lamphear.
Back-up singers Sue and Sandra were also involved in the recent well-received production of Hair by the revived Boston Rock Opera and BRO director Eleanor Ramsay designed Ghosts dazzling jacket art. Linda, who has sung in many past BRO productions, assumed the role of costume designer for Hair, while Zachary Rochester (the bass player at the show) had a lead role as Hud. This kind of fluid musical community, and KOL’s overall holistic approach to their craft, is a very encouraging sign and would be a great model for young musicians starting out in a field where it can be tough sledding most of the time. A local support system in the end can more gratifying than the current lone-wolf pop star model. There it seems the thought is the only was to the top is trying your luck on a TV talent show in front of a panel of celebrity judges who are likely to gush over anything but where in the end there is only “winner.” Instead, be like Kingdom of Love and find your tribe, work hard until you come up with a line as good as “I was a superhero buried underground” and in the end you may just earn all the good karma you’d ever want.
Find out more at https://kingdomoflovemusic.com/
To see my previous post about the Boston Rock Opera click https://rickouellettereelandrock.wordpress.com/2016/10/20/the-return-of-the-boston-rock-opera-the-moon-is-back-in-the-7th-house/
Rick Ouellette’s new book Rock Docs: A Fifty-Year Cinematic Journey is now available online or by messaging the author. A 30-page excerpt can be seen at http://booklocker.com/books/8905.html (Or click on the book cover in the right-hand column here)